Malayda@304. I belong to Family of Founders’ of “Prayag Sangeet Samiti” and brought up at Allahabad with frequent visits and stay at Varanasi (Banaras Bharana); I can understand what Great Service this website is doing… for such an explanations we used to wait a lot at Guru’s place and ‘when’ he is in ‘mood’… will tell all these fine differences of Raagas and Gharanas.. Singer (s) - Asha Bhosle, Manna Dey, Mohd. All three, however, are beautiful. Radhike toone bansuri churayi is “Adaana”. AK!!! ‘Zindagi bhar’ is Yaman; ‘Barsaat mein..’ is Bhairavi; ‘O sajnaa..’ is Khamaj; ‘Jhule mein pawan’ is Pilu; and ‘Ketaki gulab’ is Basant Bahar. AK Ji, This is the first time I have written something – other than notes on official files – that was meant to be read by others. To understand classical music some training is of course required. Love your post. There are wide variety of compositions based on Hamsadhwani by South Indian musicians as it is essentially a favoured Carnatic Raga. It follows mostly the scale that is common to Darbari and Asavari (komal ga, dha and ni) but does not follow the movement of either of them. Thank you for your generous appreciation. According to Wikipedia Saraswati Rane was born as Sakina, daughter of legendary Ustad Abdul Karim Khan– doyen of the Kirana Gharana. I am recalling two old songs of the mid 60’s which rightly forcasted the standards of music and so called lyrics of the nowadays songs; that too; almost 50 years back. You have to fix a base raga or a tonic note first from which you can do a muurchana. Subbodhji, very difficult job to select the best classical song. The other song practically on the same tune in Gaud Malhar is ‘Garjat barsat bheejat ayilo’ by Lata, set to music also by Roshan from Malhar (1951). I have to thank my colleague KBS Sidhu for posting the link on Facebook: 8. I am taking the liberty of posting the link on my Facebook wall, as well as yours, sir. 3. hindi film music, hats off. is kuhoo kuhoo based on raag sony? I too have included the song in my favourite illustration for the ragam. No much difference. We were having great fun! https://www.youtube.com/watch?v=RDq5ifSstQc Your blog is extremely good as it helps people like me to know more about the ragas and their use of the notes and more so about their use.A slight change in use of the same notes as in the badi and sambadi can make such a huge difference. He bounced it back to me, thanks to some pretensions I have of knowing something about classical music. The most well known is Miyan ki Malhar. Dear Mr Bhatia, yes Monsoon is a time to get romantic, but it is not only Malhar and its variants that capture the mood. Pahadi has a relationship with bhupali if so sung. I was not aware of what Sudhir Phadke himself has said. Please feel free to go through the other articles in this series and move on to more formal resource on the net like http://www.parrikar.org. It would be nice to have music education in Indian schools. Please confirm that “ye duniya vale poochenge mulakat hui kya baat hui” song from film Mahal, is based on raag Hansdwani? Mr. Sharma from my viewpoint the concept of muurchana or shruti bhedham as is it is also called is a little different. AK ‘ji, Harish ‘ji, I think practically all the MDs of yester years have given some beautiful melodies based on ragas . Akeli hoon main, piya as by Asha from ‘Sambandh’. [ Iam not sure] . Which is which ? There is one beautiful OP’s melody ….” Thandi thandi hawa, mainye poocha patta ,laaj aaye mujhai kaise doon main batta “…..an Aasha geeta duet from Mr cartoon MA [?] Vilayat and Imrat Khan – Miyan ki Malhar 6. My husband is struggling to understand the concept of raagas, and my knowledge is highly amateur, so I don’t seem to be doing a good job of teaching him either. Very good music, dance, picturisation all are great. It seems to be built around Kafi, with occasional glimpses of Pilu, Bhairavi, Bhimpalasi and even Yaman. 8. http://youtu.be/Rdmi09OeqMs I have no knowledge of ragas and thus this was quite informative. It sounded like Bhoopali/Shudh Kalyan in the lower half of the octave and Bhairav in the upper half. Familiarity does breed contemp, so it is no surprise that foreigners – the minuscule percentage that takes the trouble to learn Indian classical music – tend to be more sincere. I agree with you 100%. @Richard S: I have no claim to be an expert, only an amateur who has some exposure to classical music. Your reference to Durga is also apt. Raag Jayant Malhar (राग जयंत मल्हार) song from the album Tana Riri is released on Dec 2008 . Fundamentals of Rag. As you say, the avaroh part is different from Brindavan Saranga & that’s what distinguishes one from the other. And, looking forward to further write-ups from you on a variety of subjects. Just discovered an error in my comment no. https://www.youtube.com/watch?v=SHkw-WBU8bI, And while I am at it two compositions from Tamil, The maestro Illayaraja About 2 years ago, I met a movie maker, Mrs. Geeta Desai who has produced a documentary on the northern Indian raga system after many years of work. Congratulations. Comments - There has been considerable confusion about this song and what rag to ascribe it to. If you give me your E mail ID I can send you all the songs in MP3. & Aaj hai pyaar ka faisla e sanam aaj mera mukaddar badal jaayega from leader (1964) by Naushad for example. Rag - Mian Ki Malhar. Music Director(s) - Shanti Kumar Desai We are deprived of such songs in nowadays movies . Therefore, this is also called as a seasonal Raag. I didn’t include it in the section on the raga because it is long and slow. Salilda has created a variation of the composition “Vatapi Ganapatim bhaje hum” by Muthuswami Dikshitar. Arunkumar Dshmukh has sent me an e-mail which I am quoting verbatim: Only the other day,I heard someone say,”Most film music lovers run away from classical music”.I think it is only partly true. Yaman Kalyan. He wanted to make a lilting thillana (tarana in Hindusthani) in the soulful raag Ahirbhairav just to show that this raag can be made a danceable one. “Raag Bhupali” is a Hindustani classical raga. I haven’t been able to locate ‘Barath Desh nari ke hum’. 9. The song Thumbi Thullal from the movie Cobra (2020 film) is based on this raag. Kaare kaare baadra jaare jaare baadra (1957) Chitragupt for Bhabhi Regards. They both deal with popular, light classical as well as regular classical music, with a large number of audio/video clips. Raag Sur Malhar Song: Download Raag Sur Malhar mp3 song from Tana Riri. Thanks a lot. Rather than give my own comments on the ragas used in this film I refer you to this article: http://www.musicaloud.com/2014/03/14/ankhon-dekhi-music-review-bollywood-soundtrack/. Great collection! Thanks a lot to S.A. I’m from Sri Lanka. Film - Saaz But all standard references on the net list it as Gara. Music Director Rahul Dev Burman . Very informative. Modes/Scales So well said. I do understand that if Sa is transposed to Ma then the aroha of Pahadi which is S R G P D S will still have the same tonal distance amongst the notes as in It is essentially Yaman without the fourth and seventh note. The established ragas in intensifying my interest & search in this raga film! & subodhji, the avaroh part is different from Brindavan Saranga & that ’ s rendition of raag.... Hamsadhvani….. I think, this can be sung or played at any time or,. धन्यवाद के अधिकारी हैं मेघ मल्हार ) song from Aashiq “ to me this song the! Madhu, the other one I found another bandish by him in raga! 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O chand jahon wo jayen ’ is Bhairavi for dustedoff ( I mean http.
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